Law in the media Essay Example | Topics and Well Written Essays - 2750 words

Law in the media - endeavor ExampleFile-sharing networks are diffuse and decentralized, therefore it is difficult to pinpoint who is supplying works to the public. Moreover, new technologies, much(prenominal) as BitTorrent, complicate matters because only bits of files are downloaded from a swarm of people, and this swarm of people may non be considered to be the individuals making the work publicly available. BitTorrent also relies upon temporary files that are created, bit by bit, before the permanent file is assembled, and the CDPA 1988 does not cover these temporary files. Another supply is that there are copy remedy protections that may be used, and the CDPA 1988 does not make it illegal to circumvent these protections. For these reasons, it seems that the CDPA 1988 is not keeping up with the ever-changing digital world, and should not be used by artists who are harmed by file-sharing and BitTorrent, as it is difficult to apply the Act to these copyright infringements. Cop yright, Designs and Patents Act 1988 A copyright is, in a nutshell, an exclusive right that some unitary can own to copy the work issue copies of the work in public perform, army or play the work in public to broadcast the work or include it in a cable programme service or to make an adaption of the work or do some(prenominal) of the above in relation to an adaptation. (Copyright, Designs and Patents Act 1988 II(16)(1)(a-e)). ... Copyrights expired after 50 years. (Copyright, Designs and Patents act 1988 I(12)(1)). Basically, if you create a piece of melody, you own that piece of music for fifty years. You, and you alone, have the right to copy your piece of music, issue copies to the public or perform the music, broadcast it or adapt it. It is yours. If you wrote the lyrics, then you own the lyrics. If you wrote the music, then the music is yours. If you performed the music, then you own the recording of the live performance. Sound recordings are owned by the maker of the record ing. (MIPI). The difficulty with The CDPA in the age of the meshwork The CDPA, having been crafted in 1988, could not have foreseen the developments that implicate copyrights in the Internet Age. For instance, one of the major copyright infringements is something that was not explicitly covered by the CDPA illegal file-sharing, which is tantamount to Internet piracy. Internet piracy is the cause of falling CD sales across the board, as sales have steady fallen year to year since piracy began. (Music Industry Blames Huge Illegal Download Market for Ever-falling Sales). The largest academician survey, commission by the University of Hertfordshire found that teenagers and students have, on average, more than 800 illegally copied songs on their digital music players. (Sabbagh, 2008). The paradox is not just with peer to peer networks, but also in the common practice of alter CD to a mate and allowing them to copy the CD. This has the same chilling effect as does the illegal downlo ading of songs mangle the Internet, and hurts artists and the industry just the same. (Music Copyright Featuring Jamelia). One of the problems with illegal downloads is