Narrators Role in Fitzgeralds The Great Gatsby and Kerouacs On The R

Narrators Role in Fitzgeralds The Great Gatsby and Kerouacs On The RoadOver the last fifty years, since the tumble of On The Road in 1957,it has not been un special K for critics to draw parallels amongKerouacs semi-autobiographical novel and Fitzgeralds The GreatGatsby, released thirty-two years previously. It is for reliable that two the novels share many similar traits, both examine concepts ofAmerican ideals and The American Dream, both are heavily influenced bythe jazz geezerhood of the time, but nothing binds the novels closer to oneanother than the authors use of the commencement person narrative and thatnarrators descent with their leading character.It is perhaps the most common reading to see both Jay Gatsby and DeanMoriarty awarded iconic status by their corresponding narrators. Theconnotations concerning the epithet found in the very centre ofFitzgeralds title alone can bring an image to the readers mind ofone of historys great leaders, putting Gatsby in league withc haracters such as Alexander the Great, Catherine the Great, Peter theGreat and Frederick the Great. It would appear obvious from the titlethat Gatsby is one beheld with admiration and respect by the narrator.The relationship mingled with Kerouacs Sal Paradise and Dean Moriarty isoften viewed in much(prenominal) the same light. The importance of Dean to Sal isvisible from his very first paragraph, where he states that, thecoming of Dean Moriarty began the part of my life you could call mylife on the road. Within a short time period, Sal allows his life tobe turned in a completely different direction by someone who isbasically a stranger. This willingness to uproot and follow somebodyelses lifestyle pays a great complim... ... with the door flapping, and roar off to the bordering availablespot, arc, pop in, brake, out, run.It would be easy to substitute the car in this instance with a womanto come up with a excusable description of Deans attitude towardswomen. Just in the stylu s Sal admires and enthuses near his car-parkingabilities, describing him as, the most fantastic parking-lotattendant in the world Sal admirers and enthuses about his sex life.In 1991, Eagleton published an essay with a Marxist conceptdeclaring that, much like Nick, Sal is suffering from ideology afalse mind that is imposed on them by the hegemonic socialorder. This adds to the link between the two narrators concerningtheir feelings towards their leading characters in particular themanner in which they both admire the achievements made by Gatsby orDean in their screw lives.