At Castle Boterel Response Essay

In the first five lines the source is driving away from a remembered scene. The mention of the junction of lane and passageway suggests a meeting of two paths, possibly two completely diametrical characters. It is rainy, wet, and gray. The sombre, rainy mood hangs like a fog oer the stallion poem, preparing iodin for what testament happen at the end. The writer gazes at the faraway slope, which is fading away. Yet, like all important memories, he remembers it distinctly yet. The poetry scheme is a mixture of soft (highway, byway) melancholy tones and sharp, harsh (waggonette, wet, yet), exuding a mixture of reminiscences and regret.Line six through ten. The writer along with a girlish form is climbing the slope. Climbing may represent some difficulty in their relationship. Dry March weather supports this assumption. The word moody in line six could mean either taken over by night, or unenlightened. Or, in this case, both. The couple had no idea of emotional state, or of ho w short it could prove to be. These lines ar dark and heavy. The sturdy pony is an photograph of his former happiness, which would soon sigh and slow.Lines eleven to fifteen introduce us to the word death. The writer says that what they talked of was of no great importance, which shows his realization of the shortness and immateriality of animateness. In life death cannot be avoided. In his case, it would proposem, there would be more than than one sort of death. One would die physically, the other emotionally.The following five lines show how small a difference every life makes in the greater scheme of things. The hill, portraying the earth, is climbed by thousands. Yet, to the individual (him) the refined of a single life is of immeasurable importance. Foot-swift, foot-sore symbolizes the haste in living, and alike the pain. People strive to get to the top, ruin their lives to get there, possibly, but upon arriving see there is nothing.The following five lines are lighte r than whatever nurse been before yet they are filled with irony. The primaeval rocks (the world, history) have been shaped and given colour by domainy, many passers-by. The writer, however, illustrates individual selfishness by locution that it was him and his lover or wife that gave the shape and colour to those rocks. He is spirit back in irony, seeing now, perhaps, how his views have been changed.Lines twenty-six to thirty are a sad depiction of reality. The writer states that Time is severe and harsh, that it has dealt with him mechanically, without any thought given to his emotions and feelings. The substance now, as he calls himself, is only one phantom figure. By calling himself a substance he could be comparing himself to a substance used in scientific experimentation. He has, he feels, been used. Now he is merely a phantom. All life has been taken from him, and all that clay is his physical form. He says that he remains on the slope, meaning that he has not moved on , or that he cannot move on. The loss of another has left him immobile, lost, or simply without direction.The brave five lines shows a picture of the writer driving away from himself. rain down is mentioned again, like tears falling. The person on the hillside is a vision of the man he used to be. That man is shrinking and shrinking and the writer is touching on, changing. The drizzle of the first five lines has turned into full-on rain, and this makes the person even more dim in the writers memory.The ground he thought was solid is change posture away (for my sand is sinking), and he comes to the realization that he will never be able to go there again. He calls the there old loves domain, which means that he is moving on, perhaps to new love.The terminal line is abrupt, the shortest in the entire poem. This shows how quickly everything happened to him without warning, all was gone.