A Closer Look At American Suburbia

Toni Troell Film Appreciation Cherie King March 20, 2002 A encompassing(prenominal) see at American Suburbia         In American salmon pink (1999), which was directed by Sam Mendes, we be confronted with the images that take in consumed mainstream American life. Mendes exploits these images that we, as Americans, have created around ourselves as a means of hiding our true nature. In American Beauty, Mendes plays on the natural tendencies of the viewers to seek problems in other peoples lives and entertain us acknowledge and confront the images that have become our own. Also, by means of the use of report, the mise- en- scéne and cinematic techniques, Mendes invites us into the abode of the Burnhams so that we can look closer at American suburbia. He uses the audiences tendencies to relate to the sheaths in order to deconstruct the images that ar portrayed by the spirits and to confront our true nature. From the start of the gather the construction of images is evident. American Beauty (1999) begins with a shot of a young teenage girl, shown through the use of a take hold camera. The autobiography reveals that she wants her father dead. The image that is portrayed about her character is that of an ungrateful, unaffectionate and very bitter teenager.

As we will discern by the end of the film, this image of Jane is not at single what it appeared to be. The next scene is of a high angle shot, with a voice-over being spoken by Lester Burnham, played by Kevin Spacey. The narration reveals that he is already dead, which tells us that the following scenes ha ve already taken place. This sets the theme! for the movie: there is more to the number than what appears on the surface. The high angle tracking shot of Lesters street also holds significance for the spectator. It... If you want to get a full essay, order it on our website: OrderCustomPaper.com

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